Agen Tiket Pesawat di Kutai

Agen Tiket Pesawat di Kutai Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Kutai

Agen Tiket Pesawat di Malang

Agen Tiket Pesawat di Malang Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Malang

Agen Tiket Pesawat di Yogyakarta

Agen Tiket Pesawat di Yogyakarta Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Yogyakarta

Agen Tiket Pesawat di Bandung

Agen Tiket Pesawat di Bandung Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Bandung

Agen Tiket Pesawat di Pontianak

Agen Tiket Pesawat di Pontianak Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Pontianak

Agen Tiket Pesawat di Samarinda

Agen Tiket Pesawat di Samarinda Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Samarinda

Agen Tiket Pesawat di Palembang

Agen Tiket Pesawat di Palembang Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Agen Tiket Pesawat di Palembang

saco-indonesia.com, Salah seorang anggota Polisi Resor Musirawas, Sumatera Selatan Brigadir Polisi Dedi Supriadi telah dipecat a

saco-indonesia.com, Salah seorang anggota Polisi Resor Musirawas, Sumatera Selatan Brigadir Polisi Dedi Supriadi telah dipecat akibat tidak disiplin. Brigadir Dedi telah dipecat lantaran 30 hari meninggalkan tugas tanpa keterangan.

"Kami juga telah merekomendasikan agar yang telah bersangkutan dipecat tidak dengan hormat, karena telah tidak bekerja selama 30 hari secara berturut-turut," kata Kapolres Musirawas AKBP Chaidir, Kamis (30/1).

Dia juga mengatakan, prajurit Polri itu telah diberhentikan melalui sidang disiplin yang berlangsung di Mapolres Musirawas akhir pekan lalu. Sidang disiplin itu, telah diketuai oleh Wakapoles Kompol Tulus Sinaga dengan wakil ketua Kabag ops kompol Adhi Setiawan dan Kabag Sumda Kompol Toni Siagian, sedangkan penuntut Kasi Propam Iptu Suardi.

Sidang disiplin tersebut juga tidak dihadiri oleh terperiksa Brigpol Dedi Supriadi. Sidang berjalan lancar dan memutuskan sesuai aturan disiplin polisi.

Terperiksa dihukum dengan cara pemberhentian tidak dengan hormat sesuai dengan tuntutan dalam sidang disiplin tersebut.

Anggota yang bersangkutan telah terbukti melanggar Pasal 14 huruf A pasal 21 Ayat 4 serta PP 21 No 23 tentang pemberhentian anggota Polri, jelasnya.

Wakapolres Musirawas Kompol Tulus Sinaga juga mengatakan, terperiksa bertugas di Polsek Megang Sakti, hingga kini terperiksa belum ditemukan.

Selain pelanggaran disiplin terperiksa juga telah terlibat dalam kasus penipuan yang sekarang ditangani oleh Polsek Purwodadi.

"Kami hanya memproses disiplinnya, sedangkan kasus pidana ditangani Polsek Purwodadi, sekarang sedang dilakukan penyidikan Unit Reskrim Polsek Purwodadi," katanya


Editor : Dian Sukmawati

Kami adalah Peternak  Lintah dan  Pusat Penjualan  lintah hidup  yang melayani pengiriman Lintah hidup kesel

Kami adalah Peternak  Lintah dan  Pusat Penjualan  lintah hidup  yang melayani pengiriman Lintah hidup keseluruh wilayah Indonesia

Dengan kemasan sedemikian rupa sehingga lintah masih dalam keadaan hidup dan segar sampai ketempat tujuan dan kami garansi apabila ada yang mati dalam pengiriman akan kami ganti.

Saat ini ada sekitar 50 klinik terapi Lintah dan Pembuat minyak lintah diberbagai daerah di Jawa maupun luar pulau Jawa yang menjadi pelanggan tetap kami,  dan ada juga ratusan pembeli tidak tetap

Lintah yang kami jual adalah Lintah jenis  Rawa atau Lintah Kerbau (Lintah Asia) karena lintah ini sangat cocok untuk terapi pengobatan  maupun pembuatan minyak Lintah

Lintah kami adalah Lintah kwalitas terbaik hasil ternakan sendiri  dan sudah ditreatment khusus sehingga sudah bersih, Higienis dan siap untuk terapi

Ada berbagai ukuran Lintah yang kami tawarkan sbb :

  • Ukuran sebatang Korek Api                             harga Rp2.000,-/ekor
  •  
  • Ukuran sedang seukuran 3 batang korek api  harga  Rp3.000,-/ekor
  •  
  • Ukura Besar / Jumbo (Indukan)                       harga  Rp5.000,-/ekor

 

Cara pemesanan sangat mudah :

Ketik SMS :   jumlah pesanan / harga per ekor / Nama / alamat lengkap    kirim ke 0815 8877678, 0812 84328497

Contoh:   200 ekor / 3.000 / Johan arifin / permata hijau permai blok BR No.1 kaliabang tengah, Bekasi  utara 17125

Atau langsung ketempat kami di alamat :

Permata Hijau Permai  blok BR No.1 Kel. Kaliabang tengah, Bekasi Utara

saco-indonesia.com, Dipercaya atau tidak, warna adalah salah satu yang dapat membuat emosi dan kinerja manusia menjadi baik. Unt

saco-indonesia.com, Dipercaya atau tidak, warna adalah salah satu yang dapat membuat emosi dan kinerja manusia menjadi baik. Untuk itu, Canon telah mempersembahkan produk printer yaitu PIXMA MC7170 dengan beragam warna.

Sekarang ini, mayoritas printer yang telah beredar di pasaran hanya telah memiliki warna yang sudah digunakan oleh banyak perusahaan produsen mesin cetak lainnya, seperti hitam, putih atau abu-abu.

Melalui Datascrip sebagai authorized distributor-nya di Indonesia, Canon telah menghadirkan PIXMA MG7170, printer foto All in One (AIO) dengan 3 pilihan warna elegan dan menarik, yaitu coklat, merah dan hitam.

Selain bervariasi dari sisi warna tampilan yang colourful, penggunanya juga dapat dengan mudah mengoperasikannya, apalagi dengan dukungan teknologi nirkabel di dalamnya.

Dilengkapi dengan koneksi Wi-Fi, pengguna juga dapat dengan mudah untuk mencetak dan memindai tanpa harus terkoneksi dengan PC atau jaringan router. Printer ini juga dilengkapi dengan Access Point Mode yang telah didesain untuk dapat menjawab kebutuhan cetak tanpa harus menghubungkan perangkat dengan printer melalui kabel.

Dengan demikian, siapa saja juga dapat langsung mencetak hasil jepretan dari kamera digitalnya yang telah didukung oleh DPS over IP protocol atau dengan Wireless PictBridge yang lebih familiar.

Desain yang compact telah memberikan keleluasaan dan efisiensi dalam penempatan di berbagai sudut ruang rumah atau kantor. PIXMA MG7170 juga sudah dibekali dengan Canon's Intelligent Touch System, yaitu fitur layar sentuh untuk panel operasional dan layar LCD. Fitur ini juga hanya akan menyala pada tombol tertentu saat dioperasikan, menjadikan printer ini lebih sederhana.

Dengan PIXMA Cloud Link terbaru, telah membuat proses mencetak di PIXMA MG7170 jadi lebih seru. PIXMA Cloud Link ini telah terintegrasi penuh dengan fasilitas cloud printing di mana pengguna juga dapat mencetak dari situs jejaring sosial seperti Facebook dan Twitter ataupun situs berbagi foto seperti Picasa, Photobucket dan Flickr, bahkan dari layanan cloud storage seperti Evernote dan Dropbox.

Pengguna dari PIXMA MG7170 cukup login, kemudian memilih foto atau dokumen, lalu bisa langsung cetak. Itu semua dilakukan melalui layar LCD printer, tanpa menggunakan PC.

Bagi para pengguna tablet atau smartphone yang berbasis iOS atau Android juga bisa langsung mencetak maupun mendapatkan file scan dari printer ini.

Anda juga dapat dengan mudah untuk mengirimkan file ke perangkat mobile sehingga tidak perlu repot membawa lembaran dokumen hard copy.

"Kehadiran printer PIXMA MG7170 ini juga semakin memanjakan pengguna dengan pilihan tampilan warna yang menarik, serta fitur dan teknologi yang semakin memudahkan untuk proses mencetak maupun memindai, tanpa harus melalui PC atau terhubung melalui kabel. Cukup dengan perangkat mobile seperti tablet, smartphone ataupun kamera digital yang dapat terkoneksi Wi-Fi telah mencetak menjadi lebih mudah," Merry Harun, Canon Division Director, PT Datascrip.


Editor : Dian Sukmawati

saco-indonesia.com, Merangkai bunga juga dapat menjadi hobi alternatif untuk dapat mengisi waktu lowong Memanfaatkan waktu

saco-indonesia.com,

Merangkai bunga juga dapat menjadi hobi alternatif untuk dapat mengisi waktu lowong

Memanfaatkan waktu yang senjang dengan kegiatan merangkai bunga telah menjadi salah satu pilihan yang sangat menarik. Walaupun kaum sosialita di jaman sekarang ini tidak begitu tertarik dengan kreasi merangkai bunga, namun bukan berarti kegiatan ini sudah ketinggalan gaya.

Kegiatan merangkai bunga juga dapat menjadi salah satu hobi yang sangat menarik dan juga bisa menghasilkan alias menjadi sumber rejeki, tidak sedikit orang yang telah membutuhkan jasa merangkai bunga, baik perangkai bungan untuk hiasan di atas meja, hingga menghias dekorasi ruangan untuk sebuah acara.

Bunga memang telah menjadi instrumen pelengkap yang sempurna untuk dapat memberikan kesan indah, berkarakter dan damai untuk segala kondisi, misalnya di ruang tamu anda, telah menyediakan beberapa vas bungan hasil kreasi sendiri tentu akan dapat menyenangkan pandangan.

Nah, bagi yang berminat untuk dapat mempraktekkannya, berikut ini akan kami sajikan beberapa cara dan teknik dalam merangkai bunga;


1. Menyiapkan dan Memotong Bagian Bunga

Persiapkanlah bunga yang akan dirangkai dan pastikan bahwa setiap bunga tersebut juga sudah Anda potong setidaknya pada bagian pangkal daun. Hal ini telah memungkinkan agar daun tersebut tidak mengganggu air di vas, sehingga membantu untuk menjaga dapat bunga untuk tetap segar. Potonglah bagian bunga dengan cara miring ke atas atau kebawah, hal ini juga memungkinkan agar bunga akan menerima nutrisi yang cukup.


2. Memilih Vas Bunga yang Tepat

Bunga dengan ukuran yang lebih kecil cenderung akan terlihat menarik ketika dengan menggunakan vas pendek dan agak besar. Sementara bunga dengan ukuran lebih besar akan terlihat lebih elegan dengan menggunakan vas yang lebih tinggi. Tetapi dalam hal ini Anda masih tetap dapat memotong bagian bunga dengan panjang yang sesuai seperti selera Anda.


3. Membersihkan Vas Rangkaian Bunga

Pastikan vas yang akan Anda gunakan telah dibersihkan dari residu dengan cara dibilas. Jika Anda menggunakan vas yang terbuat dari kaca, maka Anda juga dapat menambahkan berbagai media didalamnya, seperti pasir, kerikil, atau manik-manik kaca pada bagian bawah vas. Hal ini telah dilakukan untuk dapat membantu mendukung bagian batang bunga dan juga untuk dapat memberikan nuansa yang menarik dari hasil pengaturan rangkaian bunga yang akan dibuat.


4. Mengisi Vas Dengan Air Bersuhu Kamar

Upayakan untuk dapat mengisi vas dengan air yang hangat, atau paling tidak bersuhu kamar. Hal ini dimaksudkan agar bunga yang masih kuncup cepat mekar, serta tetap segar dan tahan lama.


5. Menata Bunga Sesuai Ukurannya

Dalam menata bunga, maka upayakanlah agar bunga yang lebih besar dan lebih dominan harus yang paling pertama menjadi proritas untuk di rangkai. Cobalah untuk dapat menempatkan bunga-bunga di sudut yang berbeda untuk dapat membuat sebagian besar dari bentuk masing-masing dan memberikan pengaturan terlihat seimbang. Anda kemudian harus menambahkan bunga-bunga kecil dan akhirnya dedaunan untuk dapat mengisi kesenjangan dan menonjolkan perpaduan warna dari pengaturan tersebut.

Itulah tahapan-tahapan cara merangkai bunga yang bisa Anda implementasikan untuk dapat memperindah suasana ruangan rumah Anda.


Editor : Dian Sukmawati

saco-indonesia.com, Penyanyi Siti Liza telah kembali menggarap video klip singlenya yang berjudul Jangan Oh Jangan yang diciptak

saco-indonesia.com, Penyanyi Siti Liza telah kembali menggarap video klip singlenya yang berjudul Jangan Oh Jangan yang diciptakan oleh Arnold. Berbeda dengan video klip sebelumnya, Siti kini tampil beda. Dari segi fashion, Siti kini juga lebih terlihat ceria dengan pakaian yang penuh warna.

"Memang lebih beda untuk video klip ini. Kalau yang sebelumnya Aku lebih sering pakai dress panjang satu warna, sekarang lebih colourful dan ceria, dengan pakaian yang warna warni. Akan ada dancer-dancernya juga," ungkap Siti saat ditemui disela syuting video klip di Rumah Joe, Kebagusan Dalam 1, Jakarta Selatan, Senin (3/3) kemarin.

Tidak hanya soal pakaian saja , Siti juga tampil lebih fresh dengan warna rambut yang lebih cerah dari sebelumnya."Memang ada perubahan juga sih ya, dulu rambut cokelat tua sekarang lebih terang," kata Siti.

Untuk video klipnya sendiri, Siti telah menjelaskan bahwa konsepnya juga tidak jauh dari cerita lagu Jangan Oh Jangan itu sendiri. Siti juga menggandeng komedian, Bedu.

"Konsep semua dari sutradara ada tambahan dikit sih biar aku lebih masuk di cerita video klipnya. Ceritanya aku ga mau lagi sama pasangan aku. Aku milih pelawak, Bedu, biar lebih seru," terangnya.


Editor : Dian Sukmawati

Sudah satu tahun KakaoTalk hadir di Indonesia dan aplikasi chatting ini mengungkapkan jika mereka telah miliki 15 juta pengguna

Sudah satu tahun KakaoTalk hadir di Indonesia dan aplikasi chatting ini mengungkapkan jika mereka telah miliki 15 juta pengguna di Indonesia.

Seperti dilansir TechinAsia (21/1), keberhasilan KakoTalk dalam mendapatkan 15 juta pengguna yang ter-registrasi ini juga tidak lepas dari pesatnya pertumbuhan pengguna KakaoTalk dari handset iPhone di Indonesia.

Berdasarkan lansiran tersebut, tercatat dalam satu bulan terakhir pengguna KakaoTalk yang berbasis iOS naik pesat dengan mencapai persentase hingga 320 persen.

Keberhasilan KakaoTalk menaikkan jumlah penggunanya di Indonesia ini juga merupakan hasil dari bentuk promosi mereka seperti memberikan voucher gratis ke restoran cepat saji ataupun bioskop.

Sayangnya, meskipun tercatat mengalami kenaikan jumlah pengguna, namun untuk saat ini KakaoTalk masih harus mengakui keunggulan aplikasi chatting lain seperti BBM, WhatsApp, Line, maupun WeChat yang memiliki jumlah pengguna lebih banyak.

saco-indonesia.com, "Tersenyumlah dengan 'HATImu', dan kau akan mengetahui betapa 'dahsyat' dampak yang ditimbulkan oleh senyummu itu."

saco-indonesia.com, "Tersenyumlah dengan 'HATImu', dan kau akan mengetahui betapa 'dahsyat' dampak yang ditimbulkan oleh senyummu itu."

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Many bodies prepared for cremation last week in Kathmandu were of young men from Gongabu, a common stopover for Nepali migrant workers headed overseas. Credit Daniel Berehulak for The New York Times

KATHMANDU, Nepal — When the dense pillar of smoke from cremations by the Bagmati River was thinning late last week, the bodies were all coming from Gongabu, a common stopover for Nepali migrant workers headed overseas, and they were all of young men.

Hindu custom dictates that funeral pyres should be lighted by the oldest son of the deceased, but these men were too young to have sons, so they were burned by their brothers or fathers. Sukla Lal, a maize farmer, made a 14-hour journey by bus to retrieve the body of his 19-year-old son, who had been on his way to the Persian Gulf to work as a laborer.

“He wanted to live in the countryside, but he was compelled to leave by poverty,” Mr. Lal said, gazing ahead steadily as his son’s remains smoldered. “He told me, ‘You can live on your land, and I will come up with money, and we will have a happy family.’ ”

Weeks will pass before the authorities can give a complete accounting of who died in the April 25 earthquake, but it is already clear that Nepal cannot afford the losses. The countryside was largely stripped of its healthy young men even before the quake, as they migrated in great waves — 1,500 a day by some estimates — to work as laborers in India, Malaysia or one of the gulf nations, leaving many small communities populated only by elderly parents, women and children. Economists say that at some times of the year, one-quarter of Nepal’s population is working outside the country.

GREENWICH, Conn. — Mago is in the bedroom. You can go in.

The big man lies on a hospital bed with his bare feet scraping its bottom rail. His head is propped on a scarlet pillow, the left temple dented, the right side paralyzed. His dark hair is kept just long enough to conceal the scars.

The occasional sounds he makes are understood only by his wife, but he still has that punctuating left hand. In slow motion, the fingers curl and close. A thumbs-up greeting.

Hello, Mago.

This is Magomed Abdusalamov, 34, also known as the Russian Tyson, also known as Mago. He is a former heavyweight boxer who scored four knockouts and 14 technical knockouts in his first 18 professional fights. He preferred to stand between rounds. Sitting conveyed weakness.

But Mago lost his 19th fight, his big chance, at the packed Theater at Madison Square Garden in November 2013. His 19th decision, and his last.

Now here he is, in a small bedroom in a working-class neighborhood in Greenwich, in a modest house his family rents cheap from a devoted friend. The air-pressure machine for his mattress hums like an expectant crowd.

 

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Mike Perez, left, and Magomed Abdusalamov during the fight in which Abdusalamov was injured. Credit Joe Camporeale/USA Today Sports, via Reuters

 

Today is like any other day, except for those days when he is hurried in crisis to the hospital. Every three hours during the night, his slight wife, Bakanay, 28, has risen to turn his 6-foot-3 body — 210 pounds of dead weight. It has to be done. Infections of the gaping bedsore above his tailbone have nearly killed him.

Then, with the help of a young caretaker, Baka has gotten two of their daughters off to elementary school and settled down the toddler. Yes, Mago and Baka are blessed with all girls, but they had also hoped for a son someday.

They feed Mago as they clean him; it’s easier that way. For breakfast, which comes with a side of crushed antiseizure pills, he likes oatmeal with a squirt of Hershey’s chocolate syrup. But even oatmeal must be puréed and fed to him by spoon.

He opens his mouth to indicate more, the way a baby does. But his paralysis has made everything a choking hazard. His water needs a stirring of powdered food thickener, and still he chokes — eh-eh-eh — as he tries to cough up what will not go down.

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Mago used to drink only water. No alcohol. Not even soda. A sip of juice would be as far as he dared. Now even water betrays him.

With the caretaker’s help, Baka uses a washcloth and soap to clean his body and shampoo his hair. How handsome still, she has thought. Sometimes, in the night, she leaves the bedroom to watch old videos, just to hear again his voice in the fullness of life. She cries, wipes her eyes and returns, feigning happiness. Mago must never see her sad.

 

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 Abdusalamov's hand being massaged. Credit Ángel Franco/The New York Times

 

When Baka finishes, Mago is cleanshaven and fresh down to his trimmed and filed toenails. “I want him to look good,” she says.

Theirs was an arranged Muslim marriage in Makhachkala, in the Russian republic of Dagestan. He was 23, she was 18 and their future hinged on boxing. Sometimes they would shadowbox in love, her David to his Goliath. You are so strong, he would tell her.

His father once told him he could either be a bandit or an athlete, but if he chose banditry, “I will kill you.” This paternal advice, Mago later told The Ventura County Reporter, “made it a very easy decision for me.”

Mago won against mediocre competition, in Moscow and Hollywood, Fla., in Las Vegas and Johnstown, Pa. He was knocked down only once, and even then, it surprised more than hurt. He scored a technical knockout in the next round.

It all led up to this: the undercard at the Garden, Mike Perez vs. Magomed Abdusalamov, 10 rounds, on HBO. A win, he believed, would improve his chances of taking on the heavyweight champion Wladimir Klitschko, who sat in the crowd of 4,600 with his fiancée, the actress Hayden Panettiere, watching.

Wearing black-and-red trunks and a green mouth guard, Mago went to work. But in the first round, a hard forearm to his left cheek rocked him. At the bell, he returned to his corner, and this time, he sat down. “I think it’s broken,” he repeatedly said in Russian.

 

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Bakanay Abdusalamova, Abdusalamov's wife, and her injured husband and a masseur in the background. Credit Ángel Franco/The New York Times

 

Maybe at that point, somebody — the referee, the ringside doctors, his handlers — should have stopped the fight, under a guiding principle: better one punch too early than one punch too late. But the bloody trade of blows continued into the seventh, eighth, ninth, a hand and orbital bone broken, his face transforming.

Meanwhile, in the family’s apartment in Miami, Baka forced herself to watch the broadcast. She could see it in his swollen eyes. Something was off.

After the final round, Perez raised his tattooed arms in victory, and Mago wandered off in a fog. He had taken 312 punches in about 40 minutes, for a purse of $40,000.

 

 

In the locker room, doctors sutured a cut above Mago’s left eye and tested his cognitive abilities. He did not do well. The ambulance that waits in expectation at every fight was not summoned by boxing officials.

Blood was pooling in Mago’s cranial cavity as he left the Garden. He vomited on the pavement while his handlers flagged a taxi to St. Luke’s-Roosevelt Hospital. There, doctors induced a coma and removed part of his skull to drain fluids and ease the swelling.

Then came the stroke.

 

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A championship belt belonging to Abdusalamov and a card from one of his daughters. Credit Ángel Franco/The New York Times

 

It is lunchtime now, and the aroma of puréed beef and potatoes lingers. So do the questions.

How will Mago and Baka pay the $2 million in medical bills they owe? What if their friend can no longer offer them this home? Will they win their lawsuits against the five ringside doctors, the referee, and a New York State boxing inspector? What about Mago’s future care?

Most of all: Is this it?

A napkin rests on Mago’s chest. As another spoonful of mush approaches, he opens his mouth, half-swallows, chokes, and coughs until it clears. Eh-eh-eh. Sometimes he turns bluish, but Baka never shows fear. Always happy for Mago.

Some days he is wheeled out for physical therapy or speech therapy. Today, two massage therapists come to knead his half-limp body like a pair of skilled corner men.

Soon, Mago will doze. Then his three daughters, ages 2, 6 and 9, will descend upon him to talk of their day. Not long ago, the oldest lugged his championship belt to school for a proud show-and-tell moment. Her classmates were amazed at the weight of it.

Then, tonight, there will be more puréed food and pulverized medication, more coughing, and more tender care from his wife, before sleep comes.

Goodbye, Mago.

He half-smiles, raises his one good hand, and forms a fist.

Ms. Crough played the youngest daughter on the hit ’70s sitcom starring David Cassidy and Shirley Jones.

Even as a high school student, Dave Goldberg was urging female classmates to speak up. As a young dot-com executive, he had one girlfriend after another, but fell hard for a driven friend named Sheryl Sandberg, pining after her for years. After they wed, Mr. Goldberg pushed her to negotiate hard for high compensation and arranged his schedule so that he could be home with their children when she was traveling for work.

Mr. Goldberg, who died unexpectedly on Friday, was a genial, 47-year-old Silicon Valley entrepreneur who built his latest company, SurveyMonkey, from a modest enterprise to one recently valued by investors at $2 billion. But he was also perhaps the signature male feminist of his era: the first major chief executive in memory to spur his wife to become as successful in business as he was, and an essential figure in “Lean In,” Ms. Sandberg’s blockbuster guide to female achievement.

Over the weekend, even strangers were shocked at his death, both because of his relatively young age and because they knew of him as the living, breathing, car-pooling center of a new philosophy of two-career marriage.

“They were very much the role models for what this next generation wants to grapple with,” said Debora L. Spar, the president of Barnard College. In a 2011 commencement speech there, Ms. Sandberg told the graduates that whom they married would be their most important career decision.

In the play “The Heidi Chronicles,” revived on Broadway this spring, a male character who is the founder of a media company says that “I don’t want to come home to an A-plus,” explaining that his ambitions require him to marry an unthreatening helpmeet. Mr. Goldberg grew up to hold the opposite view, starting with his upbringing in progressive Minneapolis circles where “there was woman power in every aspect of our lives,” Jeffrey Dachis, a childhood friend, said in an interview.

The Goldberg parents read “The Feminine Mystique” together — in fact, Mr. Goldberg’s father introduced it to his wife, according to Ms. Sandberg’s book. In 1976, Paula Goldberg helped found a nonprofit to aid children with disabilities. Her husband, Mel, a law professor who taught at night, made the family breakfast at home.

Later, when Dave Goldberg was in high school and his prom date, Jill Chessen, stayed silent in a politics class, he chastised her afterward. He said, “You need to speak up,” Ms. Chessen recalled in an interview. “They need to hear your voice.”

Years later, when Karin Gilford, an early employee at Launch Media, Mr. Goldberg’s digital music company, became a mother, he knew exactly what to do. He kept giving her challenging assignments, she recalled, but also let her work from home one day a week. After Yahoo acquired Launch, Mr. Goldberg became known for distributing roses to all the women in the office on Valentine’s Day.

Ms. Sandberg, who often describes herself as bossy-in-a-good-way, enchanted him when they became friendly in the mid-1990s. He “was smitten with her,” Ms. Chessen remembered. Ms. Sandberg was dating someone else, but Mr. Goldberg still hung around, even helping her and her then-boyfriend move, recalled Bob Roback, a friend and co-founder of Launch. When they finally married in 2004, friends remember thinking how similar the two were, and that the qualities that might have made Ms. Sandberg intimidating to some men drew Mr. Goldberg to her even more.

Over the next decade, Mr. Goldberg and Ms. Sandberg pioneered new ways of capturing information online, had a son and then a daughter, became immensely wealthy, and hashed out their who-does-what-in-this-marriage issues. Mr. Goldberg’s commute from the Bay Area to Los Angeles became a strain, so he relocated, later joking that he “lost the coin flip” of where they would live. He paid the bills, she planned the birthday parties, and both often left their offices at 5:30 so they could eat dinner with their children before resuming work afterward.

Friends in Silicon Valley say they were careful to conduct their careers separately, politely refusing when outsiders would ask one about the other’s work: Ms. Sandberg’s role building Facebook into an information and advertising powerhouse, and Mr. Goldberg at SurveyMonkey, which made polling faster and cheaper. But privately, their work was intertwined. He often began statements to his team with the phrase “Well, Sheryl said” sharing her business advice. He counseled her, too, starting with her salary negotiations with Mark Zuckerberg.

“I wanted Mark to really feel he stretched to get Sheryl, because she was worth it,” Mr. Goldberg explained in a 2013 “60 Minutes” interview, his Minnesota accent and his smile intact as he offered a rare peek of the intersection of marriage and money at the top of corporate life.

 

 

While his wife grew increasingly outspoken about women’s advancement, Mr. Goldberg quietly advised the men in the office on family and partnership matters, an associate said. Six out of 16 members of SurveyMonkey’s management team are female, an almost unheard-of ratio among Silicon Valley “unicorns,” or companies valued at over $1 billion.

When Mellody Hobson, a friend and finance executive, wrote a chapter of “Lean In” about women of color for the college edition of the book, Mr. Goldberg gave her feedback on the draft, a clue to his deep involvement. He joked with Ms. Hobson that she was too long-winded, like Ms. Sandberg, but aside from that, he said he loved the chapter, she said in an interview.

By then, Mr. Goldberg was a figure of fascination who inspired a “where can I get one of those?” reaction among many of the women who had read the best seller “Lean In.” Some lamented that Ms. Sandberg’s advice hinged too much on marrying a Dave Goldberg, who was humble enough to plan around his wife, attentive enough to worry about which shoes his young daughter would wear, and rich enough to help pay for the help that made the family’s balancing act manageable.

Now that he is gone, and Ms. Sandberg goes from being half of a celebrated partnership to perhaps the business world’s most prominent single mother, the pages of “Lean In” carry a new sting of loss.

“We are never at 50-50 at any given moment — perfect equality is hard to define or sustain — but we allow the pendulum to swing back and forth between us,” she wrote in 2013, adding that they were looking forward to raising teenagers together.

“Fortunately, I have Dave to figure it out with me,” she wrote.

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United’s first-class and business fliers get Rhapsody, its high-minded in-flight magazine, seen here at its office in Brooklyn. Credit Sam Hodgson for The New York Times

Last summer at a writers’ workshop in Oregon, the novelists Anthony Doerr, Karen Russell and Elissa Schappell were chatting over cocktails when they realized they had all published work in the same magazine. It wasn’t one of the usual literary outlets, like Tin House, The Paris Review or The New Yorker. It was Rhapsody, an in-flight magazine for United Airlines.

It seemed like a weird coincidence. Then again, considering Rhapsody’s growing roster of A-list fiction writers, maybe not. Since its first issue hit plane cabins a year and a half ago, Rhapsody has published original works by literary stars like Joyce Carol Oates, Rick Moody, Amy Bloom, Emma Straub and Mr. Doerr, who won the Pulitzer Prize for fiction two weeks ago.

As airlines try to distinguish their high-end service with luxuries like private sleeping chambers, showers, butler service and meals from five-star chefs, United Airlines is offering a loftier, more cerebral amenity to its first-class and business-class passengers: elegant prose by prominent novelists. There are no airport maps or disheartening lists of in-flight meal and entertainment options in Rhapsody. Instead, the magazine has published ruminative first-person travel accounts, cultural dispatches and probing essays about flight by more than 30 literary fiction writers.

 

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Sean Manning, executive editor of Rhapsody, which publishes works by the likes of Joyce Carol Oates, Amy Bloom and Anthony Doerr, who won a Pulitzer Prize. Credit Sam Hodgson for The New York Times

 

An airline might seem like an odd literary patron. But as publishers and writers look for new ways to reach readers in a shaky retail climate, many have formed corporate alliances with transit companies, including American Airlines, JetBlue and Amtrak, that provide a captive audience.

Mark Krolick, United Airlines’ managing director of marketing and product development, said the quality of the writing in Rhapsody brings a patina of sophistication to its first-class service, along with other opulent touches like mood lighting, soft music and a branded scent.

“The high-end leisure or business-class traveler has higher expectations, even in the entertainment we provide,” he said.

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Some of Rhapsody’s contributing writers say they were lured by the promise of free airfare and luxury accommodations provided by United, as well as exposure to an elite audience of some two million first-class and business-class travelers.

“It’s not your normal Park Slope Community Bookstore types who read Rhapsody,” Mr. Moody, author of the 1994 novel “The Ice Storm,” who wrote an introspective, philosophical piece about traveling to the Aran Islands of Ireland for Rhapsody, said in an email. “I’m not sure I myself am in that Rhapsody demographic, but I would like them to buy my books one day.”

In addition to offering travel perks, the magazine pays well and gives writers freedom, within reason, to choose their subject matter and write with style. Certain genres of flight stories are off limits, naturally: no plane crashes or woeful tales of lost luggage or rude flight attendants, and nothing too risqué.

“We’re not going to have someone write about joining the mile-high club,” said Jordan Heller, the editor in chief of Rhapsody. “Despite those restrictions, we’ve managed to come up with a lot of high-minded literary content.”

Guiding writers toward the right idea occasionally requires some gentle prodding. When Rhapsody’s executive editor asked Ms. Russell to contribute an essay about a memorable flight experience, she first pitched a story about the time she was chaperoning a group of teenagers on a trip to Europe, and their delayed plane sat at the airport in New York for several hours while other passengers got progressively drunker.

“He pointed out that disaster flights are not what people want to read about when they’re in transit, and very diplomatically suggested that maybe people want to read something that casts air travel in a more positive light,” said Ms. Russell, whose novel “Swamplandia!” was a finalist for the 2012 Pulitzer Prize.

She turned in a nostalgia-tinged essay about her first flight on a trip to Disney World when she was 6. “The Magic Kingdom was an anticlimax,” she wrote. “What ride could compare to that first flight?”

Ms. Oates also wrote about her first flight, in a tiny yellow propeller plane piloted by her father. The novelist Joyce Maynard told of the constant disappointment of never seeing her books in airport bookstores and the thrill of finally spotting a fellow plane passenger reading her novel “Labor Day.” Emily St. John Mandel, who was a finalist for the National Book Award in fiction last year, wrote about agonizing over which books to bring on a long flight.

“There’s nobody that’s looked down their noses at us as an in-flight magazine,” said Sean Manning, the magazine’s executive editor. “As big as these people are in the literary world, there’s still this untapped audience for them of luxury travelers.”

United is one of a handful of companies showcasing work by literary writers as a way to elevate their brands and engage customers. Chipotle has printed original work from writers like Toni Morrison, Jeffrey Eugenides and Barbara Kingsolver on its disposable cups and paper bags. The eyeglass company Warby Parker hosts parties for authors and sells books from 14 independent publishers in its stores.

JetBlue offers around 40 e-books from HarperCollins and Penguin Random House on its free wireless network, allowing passengers to read free samples and buy and download books. JetBlue will start offering 11 digital titles from Simon & Schuster soon. Amtrak recently forged an alliance with Penguin Random House to provide free digital samples from 28 popular titles, which passengers can buy and download over Amtrak’s admittedly spotty wireless service.

Amtrak is becoming an incubator for literary talent in its own right. Last year, it started a residency program, offering writers a free long-distance train trip and complimentary food. More than 16,000 writers applied and 24 made the cut.

Like Amtrak, Rhapsody has found that writers are eager to get onboard. On a rainy spring afternoon, Rhapsody’s editorial staff sat around a conference table discussing the June issue, which will feature an essay by the novelist Hannah Pittard and an unpublished short story by the late Elmore Leonard.

“Do you have that photo of Elmore Leonard? Can I see it?” Mr. Heller, the editor in chief, asked Rhapsody’s design director, Christos Hannides. Mr. Hannides slid it across the table and noted that they also had a photograph of cowboy spurs. “It’s very simple; it won’t take away from the literature,” he said.

Rhapsody’s office, an open space with exposed pipes and a vaulted brick ceiling, sits in Dumbo at the epicenter of literary Brooklyn, in the same converted tea warehouse as the literary journal N+1 and the digital publisher Atavist. Two of the magazine’s seven staff members hold graduate degrees in creative writing. Mr. Manning, the executive editor, has published a memoir and edited five literary anthologies.

Mr. Manning said Rhapsody was conceived from the start as a place for literary novelists to write with voice and style, and nobody had been put off that their work would live in plane cabins and airport lounges.

Still, some contributors say they wish the magazine were more widely circulated.

“I would love it if I could read it,” said Ms. Schappell, a Brooklyn-based novelist who wrote a feature story for Rhapsody’s inaugural issue. “But I never fly first class.”

Gagne wrestled professionally from the late 1940s until the 1980s and was a transitional figure between the early 20th century barnstormers and the steroidal sideshows of today

WASHINGTON — The former deputy director of the C.I.A. asserts in a forthcoming book that Republicans, in their eagerness to politicize the killing of the American ambassador to Libya, repeatedly distorted the agency’s analysis of events. But he also argues that the C.I.A. should get out of the business of providing “talking points” for administration officials in national security events that quickly become partisan, as happened after the Benghazi attack in 2012.

The official, Michael J. Morell, dismisses the allegation that the United States military and C.I.A. officers “were ordered to stand down and not come to the rescue of their comrades,” and he says there is “no evidence” to support the charge that “there was a conspiracy between C.I.A. and the White House to spin the Benghazi story in a way that would protect the political interests of the president and Secretary Clinton,” referring to the secretary of state at the time, Hillary Rodham Clinton.

But he also concludes that the White House itself embellished some of the talking points provided by the Central Intelligence Agency and had blocked him from sending an internal study of agency conclusions to Congress.

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Michael J. Morell Credit Mark Wilson/Getty Images

“I finally did so without asking,” just before leaving government, he writes, and after the White House released internal emails to a committee investigating the State Department’s handling of the issue.

A lengthy congressional investigation remains underway, one that many Republicans hope to use against Mrs. Clinton in the 2016 election cycle.

In parts of the book, “The Great War of Our Time” (Twelve), Mr. Morell praises his C.I.A. colleagues for many successes in stopping terrorist attacks, but he is surprisingly critical of other C.I.A. failings — and those of the National Security Agency.

Soon after Mr. Morell retired in 2013 after 33 years in the agency, President Obama appointed him to a commission reviewing the actions of the National Security Agency after the disclosures of Edward J. Snowden, a former intelligence contractor who released classified documents about the government’s eavesdropping abilities. Mr. Morell writes that he was surprised by what he found.

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“You would have thought that of all the government entities on the planet, the one least vulnerable to such grand theft would have been the N.S.A.,” he writes. “But it turned out that the N.S.A. had left itself vulnerable.”

He concludes that most Wall Street firms had better cybersecurity than the N.S.A. had when Mr. Snowden swept information from its systems in 2013. While he said he found himself “chagrined by how well the N.S.A. was doing” compared with the C.I.A. in stepping up its collection of data on intelligence targets, he also sensed that the N.S.A., which specializes in electronic spying, was operating without considering the implications of its methods.

“The N.S.A. had largely been collecting information because it could, not necessarily in all cases because it should,” he says.

The book is to be released next week.

Mr. Morell was a career analyst who rose through the ranks of the agency, and he ended up in the No. 2 post. He served as President George W. Bush’s personal intelligence briefer in the first months of his presidency — in those days, he could often be spotted at the Starbucks in Waco, Tex., catching up on his reading — and was with him in the schoolhouse in Florida on the morning of Sept. 11, 2001, when the Bush presidency changed in an instant.

Mr. Morell twice took over as acting C.I.A. director, first when Leon E. Panetta was appointed secretary of defense and then when retired Gen. David H. Petraeus resigned over an extramarital affair with his biographer, a relationship that included his handing her classified notes of his time as America’s best-known military commander.

Mr. Morell says he first learned of the affair from Mr. Petraeus only the night before he resigned, and just as the Benghazi events were turning into a political firestorm. While praising Mr. Petraeus, who had told his deputy “I am very lucky” to run the C.I.A., Mr. Morell writes that “the organization did not feel the same way about him.” The former general “created the impression through the tone of his voice and his body language that he did not want people to disagree with him (which was not true in my own interaction with him),” he says.

But it is his account of the Benghazi attacks — and how the C.I.A. was drawn into the debate over whether the Obama White House deliberately distorted its account of the death of Ambassador J. Christopher Stevens — that is bound to attract attention, at least partly because of its relevance to the coming presidential election. The initial assessments that the C.I.A. gave to the White House said demonstrations had preceded the attack. By the time analysts reversed their opinion, Susan E. Rice, now the national security adviser, had made a series of statements on Sunday talk shows describing the initial assessment. The controversy and other comments Ms. Rice made derailed Mr. Obama’s plan to appoint her as secretary of state.

The experience prompted Mr. Morell to write that the C.I.A. should stay out of the business of preparing talking points — especially on issues that are being seized upon for “political purposes.” He is critical of the State Department for not beefing up security in Libya for its diplomats, as the C.I.A., he said, did for its employees.

But he concludes that the assault in which the ambassador was killed took place “with little or no advance planning” and “was not well organized.” He says the attackers “did not appear to be looking for Americans to harm. They appeared intent on looting and conducting some vandalism,” setting fires that killed Mr. Stevens and a security official, Sean Smith.

Mr. Morell paints a picture of an agency that was struggling, largely unsuccessfully, to understand dynamics in the Middle East and North Africa when the Arab Spring broke out in late 2011 in Tunisia. The agency’s analysts failed to see the forces of revolution coming — and then failed again, he writes, when they told Mr. Obama that the uprisings would undercut Al Qaeda by showing there was a democratic pathway to change.

“There is no good explanation for our not being able to see the pressures growing to dangerous levels across the region,” he writes. The agency had again relied too heavily “on a handful of strong leaders in the countries of concern to help us understand what was going on in the Arab street,” he says, and those leaders themselves were clueless.

Moreover, an agency that has always overvalued secretly gathered intelligence and undervalued “open source” material “was not doing enough to mine the wealth of information available through social media,” he writes. “We thought and told policy makers that this outburst of popular revolt would damage Al Qaeda by undermining the group’s narrative,” he writes.

Instead, weak governments in Egypt, and the absence of governance from Libya to Yemen, were “a boon to Islamic extremists across both the Middle East and North Africa.”

Mr. Morell is gentle about most of the politicians he dealt with — he expresses admiration for both Mr. Bush and Mr. Obama, though he accuses former Vice President Dick Cheney of deliberately implying a connection between Al Qaeda and Iraq that the C.I.A. had concluded probably did not exist. But when it comes to the events leading up to the Bush administration’s decision to go to war in Iraq, he is critical of his own agency.

Mr. Morell concludes that the Bush White House did not have to twist intelligence on Saddam Hussein’s alleged effort to rekindle the country’s work on weapons of mass destruction.

“The view that hard-liners in the Bush administration forced the intelligence community into its position on W.M.D. is just flat wrong,” he writes. “No one pushed. The analysts were already there and they had been there for years, long before Bush came to office.”