Harga Paket Haji dan Umroh Murah di Jakarta Hubungi 021-9929-2337 atau 0821-2406-5740 Alhijaz Indowisata adalah perusahaan swasta nasional yang bergerak di bidang tour dan travel. Nama Alhijaz terinspirasi dari istilah dua kota suci bagi umat islam pada zaman nabi Muhammad saw. yaitu Makkah dan Madinah. Dua kota yang penuh berkah sehingga diharapkan menular dalam kinerja perusahaan. Sedangkan Indowisata merupakan akronim dari kata indo yang berarti negara Indonesia dan wisata yang menjadi fokus usaha bisnis kami.

Harga Paket Haji dan Umroh Murah di Jakarta Alhijaz Indowisata didirikan oleh Bapak H. Abdullah Djakfar Muksen pada tahun 2010. Merangkak dari kecil namun pasti, alhijaz berkembang pesat dari mulai penjualan tiket maskapai penerbangan domestik dan luar negeri, tour domestik hingga mengembangkan ke layanan jasa umrah dan haji khusus. Tak hanya itu, pada tahun 2011 Alhijaz kembali membuka divisi baru yaitu provider visa umrah yang bekerja sama dengan muassasah arab saudi. Sebagai komitmen legalitas perusahaan dalam melayani pelanggan dan jamaah secara aman dan profesional, saat ini perusahaan telah mengantongi izin resmi dari pemerintah melalui kementrian pariwisata, lalu izin haji khusus dan umrah dari kementrian agama. Selain itu perusahaan juga tergabung dalam komunitas organisasi travel nasional seperti Asita, komunitas penyelenggara umrah dan haji khusus yaitu HIMPUH dan organisasi internasional yaitu IATA.

Harga Paket Haji dan Umroh Murah di Jakarta

Lamongan, Saco-Indonesia.com Nyonya Ariyanti (27) 'disandera' usai bersalin. Warga Desa Sumlaran, Kecamatan Sukodadi, Kabupaten Lamongan, Jawa Timur ini dilarang meninggalkan Rumah Sakit dr Soegiri Lamongan kerena tidak mampu membayar biaya bersalin bayi laki-laki sebesar Rp 1,5 juta.

Lamongan, Saco-Indonesia.com – Nyonya Ariyanti (27) 'disandera' usai bersalin. Warga Desa Sumlaran, Kecamatan Sukodadi, Kabupaten Lamongan, Jawa Timur ini dilarang meninggalkan Rumah Sakit dr Soegiri Lamongan kerena tidak mampu membayar biaya bersalin bayi laki-laki sebesar Rp 1,5 juta.

Padahal seharusnya Ariyanti sudah dapat meninggalkan Rumah Sakit terhitung mulai Sabtu (25/1/2014). Namun, karena tidak mampu membayar biaya, Ariyanti bersama Septian Hadi Winoto (27), suami, dan bayi mereka 'disandera' pihak rumah sakit.

Terlebih lagi, saat masuk, mendaftar sebagai pasien umum, bukan pemegang kartu jaminan miskin seperti Jamkesmas, maupun pemegang kartu Badan Penyelenggara Jaminan Sosial (BPJS).

Ariyanti masuk Rumah Sakit, Rabu (22/1/2014), sehari setelahnya Ariyanti melahirkan secara normal dan berlanjut menjalani rawat inap di ruang Melati. Sementara kondisi kesehatan si bayi dan ibunya cukup baik dan bisa pulang Sabtu (24/1/2014).

Ternyata, saat suaminya, Septian Hadi Winoto hendak mengurus berbagai keperluan untuk kepulangan anak dan istrinya, tidak bisa diharapkan. Pasalnya, keluarga ini harus menyelesaikan administrasi pembayaran dengan total biaya mencapai Rp 1,5 juta.

Merasa tidak tidak memiliki uang sebanyak itu, Septian Hadi Winoto baru kemudian mengurus kartu BPJS sebagai bukti tidak mampu sekaligus ingin bebas biaya. ”Saya memang baru ngurus BPJS yang kartunya langsung keluar pada hari Sabtu kemarin,” ungkap Septian sembari menunjukkan kartu BPJS bernomor 0001264994842 tertanggal 24 Januari 2014.

Namun kartu BPJS itu terlambat untuk bisa membebaskan biaya kelahiran putra pertamanya. Karena saat kali pertama masuk, ia sebagai pasien umum. Sementara itu, sejumlah bidan piket, sejak Sabtu (24/01/2014) hingga Minggu (26/1) tetap tidak bisa melepas sang pasien.

Intinya, sesuai catatan sejak pendaftaran dan masuk rumah sakit yang tersambung secara online di Rumah Sakit dr Soegiri Lamongan, istri Septian tercatat sebagai pasien umum. Dimana berlaku biaya sesuai ketentuan yang ada di Rumah Sakit berpelat merah ini.

Septian mengakui, saat mendaftar sebagai pasien umum karena tidak mempunyai kartu miskin apa pun. Problem itulah yang akhirnya membelitnya, belum bisa meninggalkan rumah sakit.

Priyono, orangtua Septian yang turut ke Rumah Sakit mengungkapkan, keluarganya sekarang ini tidak mempunyai uang sebanyak itu sesuai administrasi yang tercatat di kasir yakni Rp 1, 5 juta. Sementara saya baru ada sekitar Rp 750.000,” kata Priyono.

Bidan piket, Lilis Yustiowati dikonfirmasi Minggu (26/1/2014) siang mengungkapkan, dalam catatan yang ada di rumah sakit, Ariyanti masuk sebagai pasien umum, bukan pemegang kartu jaminan apa pun. ”Terus gimana? Kalau memang sudah bisa menyelesaikan pembayaran di kasir tentu diperbolehkan pulang,” ujar Lilis.

Lilis mengaku hanya sebagai karyawan dan harus menjalankan semuanya sesuai dengan ketentuan. Beda lagi kalau saat masuk, Ariyanti terdaftar pemegang kartu BPJS, tentu tidak ada masalah. Sedangkan kalaupun akhirnya bisa pulang besok, Senin (27/1) berarti pasien sudah digratiskan perawatannya selama tiga hari, terhitung 24, 25 dan 26 Januari 2014.

"Kami juga tidak berani melepas kalau belum ada tembusan penyelesaian pembayaran dari depan (kasir rumah sakit),” tambah Lilis yang didampingi Bidan Indah.

Sumber : Kompas.com

Editor : Maulana Lee

saco-indonesia.com, Sebuah minibus yang telah mengangkut puluhan buruh terguling di ruas jalan tol Tangerang-Merak tepatnya di k

saco-indonesia.com, Sebuah minibus yang telah mengangkut puluhan buruh terguling di ruas jalan tol Tangerang-Merak tepatnya di kilometer 62, Selasa (11/2). Peristiwa tersebut telah menyebabkan empat orang penumpang tewas seketika.

Berdasarkan informasi, minibus itu berisi puluhan buruh dari PT Nikomas dan PT Poong Won yang berangkat dari Serang menuju Tangerang. Saat di dalam tol, tepatnya di kilometer 62, mobil dengan nomor polisi A 1946 FH telah mengalami pecah ban dan langsung terguling beberapa kali dan menabrak pembatas jalan.

Akibat dari peristiwa tersebut, empat orang meninggal dunia yakni Maesaroh warga Cipocok Jaya, Muslihah (35) warga Sempu Gudang, Muslihah (39) binti Mustofa warga Karundang Lor, dan Mistriyani (28) warga Karundang, Cipocok. Jenazah juga masih diperiksa di ruang jenazah RSUD Serang dan korban luka-luka masih dalam perawatan intensif di Rumah Sakit Sari Asih Serang dan RSUD Serang.

"Bannya pecah. Mobil terbalik dua kali minggir ke samping hingga menabrak pembatas jalan," ungkap Resnawati, salah satu korban yang telah mengalami patah pada tangan kiri, saat ditemui di RS Sari Asih.

Resnawati juga mengaku dirinya biasa menaiki mobil tersebut untuk berangkat kerja dari serang sekitar pada pukul 04.45 WIB. "Sekitar 20 orang isinya berikut sopir. dan kami biasa naik mobil itu untuk berangkat kerja. Kami sewa patungan," katanya.


Editor : Dian Sukmawati

Late in April, after Native American actors walked off in disgust from the set of Adam Sandler’s latest film, a western sendup that its distributor, Netflix, has defended as being equally offensive to all, a glow of pride spread through several Native American communities.

Tantoo Cardinal, a Canadian indigenous actress who played Black Shawl in “Dances With Wolves,” recalled thinking to herself, “It’s come.” Larry Sellers, who starred as Cloud Dancing in the 1990s television show “Dr. Quinn, Medicine Woman,” thought, “It’s about time.” Jesse Wente, who is Ojibwe and directs film programming at the TIFF Bell Lightbox in Toronto, found himself encouraged and surprised. There are so few film roles for indigenous actors, he said, that walking off the set of a major production showed real mettle.

But what didn’t surprise Mr. Wente was the content of the script. According to the actors who walked off the set, the film, titled “The Ridiculous Six,” included a Native American woman who passes out and is revived after white men douse her with alcohol, and another woman squatting to urinate while lighting a peace pipe. “There’s enough history at this point to have set some expectations around these sort of Hollywood depictions,” Mr. Wente said.

The walkout prompted a rhetorical “What do you expect from an Adam Sandler film?,” and a Netflix spokesman said that in the movie, blacks, Mexicans and whites were lampooned as well. But Native American actors and critics said a broader issue was at stake. While mainstream portrayals of native peoples have, Mr. Wente said, become “incrementally better” over the decades, he and others say, they remain far from accurate and reflect a lack of opportunities for Native American performers. What’s more, as Native Americans hunger for representation on screen, critics say the absence of three-dimensional portrayals has very real off-screen consequences.

“Our people are still healing from historical trauma,” said Loren Anthony, one of the actors who walked out. “Our youth are still trying to figure out who they are, where they fit in this society. Kids are killing themselves. They’re not proud of who they are.” They also don’t, he added, see themselves on prime time television or the big screen. Netflix noted while about five people walked off the “The Ridiculous Six” set, 100 or so Native American actors and extras stayed.

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But in interviews, nearly a dozen Native American actors and film industry experts said that Mr. Sandler’s humor perpetuated decades-old negative stereotypes. Mr. Anthony said such depictions helped feed the despondency many Native Americans feel, with deadly results: Native Americans have the highest suicide rate out of all the country’s ethnicities.

The on-screen problem is twofold, Mr. Anthony and others said: There’s a paucity of roles for Native Americans — according to the Screen Actors Guild in 2008 they accounted for 0.3 percent of all on-screen parts (those figures have yet to be updated), compared to about 2 percent of the general population — and Native American actors are often perceived in a narrow way.

In his Peabody Award-winning documentary “Reel Injun,” the Cree filmmaker Neil Diamond explored Hollywood depictions of Native Americans over the years, and found they fell into a few stereotypical categories: the Noble Savage, the Drunk Indian, the Mystic, the Indian Princess, the backward tribal people futilely fighting John Wayne and manifest destiny. While the 1990 film “Dances With Wolves” won praise for depicting Native Americans as fully fleshed out human beings, not all indigenous people embraced it. It was still told, critics said, from the colonialists’ point of view. In an interview, John Trudell, a Santee Sioux writer, actor (“Thunderheart”) and the former chairman of the American Indian Movement, described the film as “a story of two white people.”

“God bless ‘Dances with Wolves,’ ” Michael Horse, who played Deputy Hawk in “Twin Peaks,” said sarcastically. “Even ‘Avatar.’ Someone’s got to come save the tribal people.”

Dan Spilo, a partner at Industry Entertainment who represents Adam Beach, one of today’s most prominent Native American actors, said while typecasting dogs many minorities, it is especially intractable when it comes to Native Americans. Casting directors, he said, rarely cast them as police officers, doctors or lawyers. “There’s the belief that the Native American character should be on reservations or riding a horse,” he said.

“We don’t see ourselves,” Mr. Horse said. “We’re still an antiquated culture to them, and to the rest of the world.”

Ms. Cardinal said she was once turned down for the role of the wife of a child-abusing cop because the filmmakers felt that casting her would somehow be “too political.”

Another sore point is the long run of white actors playing American Indians, among them Burt Lancaster, Rock Hudson, Audrey Hepburn and, more recently, Johnny Depp, whose depiction of Tonto in the 2013 film “Lone Ranger,” was viewed as racist by detractors. There are, of course, exceptions. The former A&E series “Longmire,” which, as it happens, will now be on Netflix, was roundly praised for its depiction of life on a Northern Cheyenne reservation, with Lou Diamond Phillips, who is of Cherokee descent, playing a Northern Cheyenne man.

Others also point to the success of Mr. Beach, who played a Mohawk detective in “Law & Order: Special Victims Unit” and landed a starring role in the forthcoming D C Comics picture “Suicide Squad.” Mr. Beach said he had come across insulting scripts backed by people who don’t see anything wrong with them.

“I’d rather starve than do something that is offensive to my ancestral roots,” Mr. Beach said. “But I think there will always be attempts to drawn on the weakness of native people’s struggles. The savage Indian will always be the savage Indian. The white man will always be smarter and more cunning. The cavalry will always win.”

The solution, Mr. Wente, Mr. Trudell and others said, lies in getting more stories written by and starring Native Americans. But Mr. Wente noted that while independent indigenous film has blossomed in the last two decades, mainstream depictions have yet to catch up. “You have to stop expecting for Hollywood to correct it, because there seems to be no ability or desire to correct it,” Mr. Wente said.

There have been calls to boycott Netflix but, writing for Indian Country Today Media Network, which first broke news of the walk off, the filmmaker Brian Young noted that the distributor also offered a number of films by or about Native Americans.

The furor around “The Ridiculous Six” may drive more people to see it. Then one of the questions that Mr. Trudell, echoing others, had about the film will be answered: “Who the hell laughs at this stuff?”

Ms. Plisetskaya, renowned for her fluidity of movement, expressive acting and willful personality, danced on the Bolshoi stage well into her 60s, but her life was shadowed by Stalinism.

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